15 Aralık 2016 Perşembe

Before the exam

Hi,

Before you study,  please keep in mind that you should look at the short poems that we have discussed so far. I am not going to ask you about the long poems!!!
Another important point is that you should be able to recognize figure of speech such as metaphor, simile, personification, allusion and alliteration. (+rhyme scheme)
And do not forget to look at the characteristics of the Periods.

Wish you good luck
best
gh

2 Aralık 2016 Cuma

video about the 17th century

Dear Students,

Those who want to refresh their knowledge and those who missed the class may watch the video on the 17th Century. It is important to know the context of the poem and the text that we are reading and analyzing.


Early 17th Century English Poetry

An Epitaph on S.P.
Related Poem Content Details
A Child of Queen Elizabeth's Chapel


Weep with me, all you that read 
This little story: 
And know, for whom a tear you shed 
Death's self is sorry. 
'Twas a child, that so did thrive 
In grace and feature, 
As heaven and nature seem'd to strive 
Which own'd the creature. 
Years he number'd scarce thirteen 
When fates turn'd cruel, 
Yet three fill'd zodiacs had he been 
The stage's jewel; 
And did act (what now we moan) 
Old men so duly, 
As, sooth, the Parcæ thought him one, 
He play'd so truly. 
So, by error, to his fate 
They all consented; 
But viewing him since (alas, too late) 
They have repented; 
And have sought (to give new birth) 
In baths to steep him; 
But being so much too good for earth, 
Heaven vows to keep him. 

On Shakespeare. 1630
Related Poem Content Details
What needs my Shakespeare for his honoured bones,
The labor of an age in pilèd stones,
Or that his hallowed relics should be hid   
Under a star-ypointing pyramid? 
Dear son of Memory, great heir of fame, 
What need’st thou such weak witness of thy name?
Thou in our wonder and astonishment 
Hast built thyself a live-long monument. 
For whilst to th’ shame of slow-endeavouring art,   
Thy easy numbers flow, and that each heart   
Hath from the leaves of thy unvalued book 
Those Delphic lines with deep impression took,   
Then thou, our fancy of itself bereaving,   
Dost make us marble with too much conceiving; 
And so sepúlchred in such pomp dost lie,
That kings for such a tomb would wish to die.





Sonnet 19: When I consider how my light is spent
Related Poem Content Details
When I consider how my light is spent, 
   Ere half my days, in this dark world and wide, 
   And that one Talent which is death to hide 
   Lodged with me useless, though my Soul more bent 
To serve therewith my Maker, and present 
   My true account, lest he returning chide; 
   “Doth God exact day-labour, light denied?” 
   I fondly ask. But patience, to prevent 
That murmur, soon replies, “God doth not need 
   Either man’s work or his own gifts; who best 
   Bear his mild yoke, they serve him best. His state 
Is Kingly. Thousands at his bidding speed 
   And post o’er Land and Ocean without rest: 
   They also serve who only stand and wait.”



A Valediction: Forbidding Mourning
Related Poem Content Details
As virtuous men pass mildly away, 
   And whisper to their souls to go, 
Whilst some of their sad friends do say 
   The breath goes now, and some say, No: 

So let us melt, and make no noise, 
   No tear-floods, nor sigh-tempests move; 
'Twere profanation of our joys 
   To tell the laity our love. 

Moving of th' earth brings harms and fears, 
   Men reckon what it did, and meant; 
But trepidation of the spheres, 
   Though greater far, is innocent. 

Dull sublunary lovers' love 
   (Whose soul is sense) cannot admit 
Absence, because it doth remove 
   Those things which elemented it. 

But we by a love so much refined, 
   That our selves know not what it is, 
Inter-assured of the mind, 
   Care less, eyes, lips, and hands to miss. 

Our two souls therefore, which are one, 
   Though I must go, endure not yet 
A breach, but an expansion, 
   Like gold to airy thinness beat. 

If they be two, they are two so 
   As stiff twin compasses are two; 
Thy soul, the fixed foot, makes no show 
   To move, but doth, if the other do. 

And though it in the center sit, 
   Yet when the other far doth roam, 
It leans and hearkens after it, 
   And grows erect, as that comes home. 

Such wilt thou be to me, who must, 
   Like th' other foot, obliquely run; 
Thy firmness makes my circle just, 
   And makes me end where I begun. 



25 Kasım 2016 Cuma

The Early 17th Century (1603-1660)

The Flea

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Mark but this flea, and mark in this,   
How little that which thou deniest me is;   
It sucked me first, and now sucks thee, 
And in this flea our two bloods mingled be;   
Thou know’st that this cannot be said 
A sin, nor shame, nor loss of maidenhead, 
    Yet this enjoys before it woo, 
    And pampered swells with one blood made of two, 
    And this, alas, is more than we would do. 

Oh stay, three lives in one flea spare, 
Where we almost, nay more than married are.   
This flea is you and I, and this 
Our mariage bed, and marriage temple is;   
Though parents grudge, and you, w'are met,   
And cloistered in these living walls of jet. 
    Though use make you apt to kill me, 
    Let not to that, self-murder added be, 
    And sacrilege, three sins in killing three. 

Cruel and sudden, hast thou since 
Purpled thy nail, in blood of innocence?   
Wherein could this flea guilty be, 
Except in that drop which it sucked from thee?   
Yet thou triumph’st, and say'st that thou   
Find’st not thy self, nor me the weaker now; 
    ’Tis true; then learn how false, fears be: 
    Just so much honor, when thou yield’st to me, 
    Will waste, as this flea’s death took life from thee.

Holy Sonnets: Death, be not proud

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Death, be not proud, though some have called thee 
Mighty and dreadful, for thou art not so; 
For those whom thou think'st thou dost overthrow 
Die not, poor Death, nor yet canst thou kill me. 
From rest and sleep, which but thy pictures be, 
Much pleasure; then from thee much more must flow, 
And soonest our best men with thee do go, 
Rest of their bones, and soul's delivery. 
Thou art slave to fate, chance, kings, and desperate men, 
And dost with poison, war, and sickness dwell, 
And poppy or charms can make us sleep as well 
And better than thy stroke; why swell'st thou then? 
One short sleep past, we wake eternally 
And death shall be no more; Death, thou shalt die. 


20 Kasım 2016 Pazar

DRYDEN'S EPIGRAM ON MILTON.

DRYDEN'S EPIGRAM ON MILTON.

These lines appeared under the frontispiece portrait of Milton in
Tonson's 1688 4th Edition of Milton's Paradise Lost [see above].


Three Poets, in three distant Ages born,
Greece, Italy, and England did adorn.
The
 First in loftiness of thought surpass'd;
The
 Next in Majesty; in both the Last.
The force of Nature cou'd no farther goe:
To make a
 Third she joynd the former two.

A Song for St. Cecilia's Day, 1687Related Poem Content Details BY JOHN DRYDEN

A Song for St. Cecilia's Day, 1687

Related Poem Content Details


From harmony, from Heav'nly harmony 
               This universal frame began. 
       When Nature underneath a heap 
               Of jarring atoms lay, 
       And could not heave her head, 
The tuneful voice was heard from high, 
               Arise ye more than dead. 
Then cold, and hot, and moist, and dry, 
       In order to their stations leap, 
               And music's pow'r obey. 
From harmony, from Heav'nly harmony 
               This universal frame began: 
               From harmony to harmony 
Through all the compass of the notes it ran, 
       The diapason closing full in man. 


What passion cannot music raise and quell! 
                When Jubal struck the corded shell, 
         His list'ning brethren stood around 
         And wond'ring, on their faces fell 
         To worship that celestial sound: 
Less than a god they thought there could not dwell 
                Within the hollow of that shell 
                That spoke so sweetly and so well. 
What passion cannot music raise and quell! 

 
         The trumpet's loud clangor 
                Excites us to arms 
         With shrill notes of anger 
                        And mortal alarms. 
         The double double double beat 
                Of the thund'ring drum 
         Cries, hark the foes come; 
Charge, charge, 'tis too late to retreat. 


         The soft complaining flute 
         In dying notes discovers 
         The woes of hopeless lovers, 
Whose dirge is whisper'd by the warbling lute. 


         Sharp violins proclaim 
Their jealous pangs, and desperation, 
Fury, frantic indignation, 
Depth of pains and height of passion, 
         For the fair, disdainful dame. 


But oh! what art can teach 
         What human voice can reach 
The sacred organ's praise? 
Notes inspiring holy love, 
Notes that wing their Heav'nly ways 
         To mend the choirs above. 


Orpheus could lead the savage race; 
And trees unrooted left their place; 
                Sequacious of the lyre: 
But bright Cecilia rais'd the wonder high'r; 
         When to her organ, vocal breath was giv'n, 
An angel heard, and straight appear'd 
                Mistaking earth for Heav'n. 

GRAND CHORUS 
As from the pow'r of sacred lays 
         The spheres began to move, 
And sung the great Creator's praise 
         To all the bless'd above; 
So when the last and dreadful hour 
   This crumbling pageant shall devour, 
The trumpet shall be heard on high, 
         The dead shall live, the living die, 
         And music shall untune the sky.


Marriage a-la-Mode- John Dryden

Marriage a-la-Mode

Related Poem Content Details

Why should a foolish marriage vow, 
Which long ago was made, 
Oblige us to each other now 
When passion is decay'd? 
We lov'd, and we lov'd, as long as we could, 
Till our love was lov'd out in us both: 
But our marriage is dead, when the pleasure is fled: 
'Twas pleasure first made it an oath. 

If I have pleasures for a friend, 
And farther love in store, 
What wrong has he whose joys did end, 
And who could give no more? 
'Tis a madness that he should be jealous of me, 
Or that I should bar him of another: 
For all we can gain is to give our selves pain, 
When neither can hinder the other.


"All over the world the beautiful red breezes went on blowing hand in hand." - Anne Carson

                                                                                   Vivienne Westwood ,  "Martyr to Love"  1996  VI...