28 Şubat 2019 Perşembe

ACL HOMEWORK for 4.03- 7.03.2918

                                                              Dieter Krehbiel, Strand Books, New York

Dear Students,
I have announced your grades for the Quiz, pls check the uni-system. The most interesting part of the exam is that most of you write about the "oversoul" considering Transcendentalism in Emerson's poetry. I never discussed or pointed at the "oversoul", the answers that I accepted are Nature, German philosophy, Utilitarianism and Indian philosophy.
Those who are going to have the Quiz for Comp Lit II and Seminar Novel, pls be there on time!
And pls be aware that I do not prepare these exams to annoy you or to decrease your grades. Exams before the Midterm and the Final are preparing you and are good examples.

FOR ACL 352:
1. “Introduction: The Anxieties of Comparison,” Charles Bernheimer. 2. “Exquisite Cadavers Stitched from Fresh Nightmares: Of Memes, Hives, and Selfish  Genes,” Haun Saussy

FOR ACL 408:
“Eating the Black Body ” Carlyle Van Thompson
Finish reading Butler's "Kindred"

FOR ACL 306:
Pls print out the following poems by Frost

The Road Not Taken 
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

Fire and Ice
Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.

Nothing Gold Can Stay
Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

Stopping by Woods on a Snowy Evening
Whose woods these are I think I know.   
His house is in the village though;   
He will not see me stopping here   
To watch his woods fill up with snow.   

My little horse must think it queer   
To stop without a farmhouse near   
Between the woods and frozen lake   
The darkest evening of the year.   

He gives his harness bells a shake   
To ask if there is some mistake.   
The only other sound’s the sweep   
Of easy wind and downy flake.   

The woods are lovely, dark and deep,   
But I have promises to keep,   
And miles to go before I sleep,   
And miles to go before I sleep.

27 Şubat 2019 Çarşamba

'Don't use the phone. People are never ready to answer it. Use poetry.' -Jack Kerouac

                                         Gali May Lucas & Karoline Hinz: "Absorbed by light", obsession with phones, 2012
for more you can watch:
https://www.youtube.com/watch?v=0lKK5Z5SWMk&t=136s
https://www.youtube.com/watch?v=yFPXmLCipQQ
                                            

Dear Students,
This is a very nice quote, which should also remind you to print out the material I post for you. I do not want you to come to the lecture, looking at ur phone for the poetry that you were suppose to print. I want you to feel the paper,the words, the mood, the tone and the piece of art that you hold in your hands. 
enjoy
gh




26 Şubat 2019 Salı

DO NOT MISS THE QUIZ!

Dear Students,
Those who take American Poetry II, Do not forget that you are going to have a quiz tomorrow.
Be there on time!!
best
gh

24 Şubat 2019 Pazar

ANNOUNCEMENT FOR 25.02.2019

                     
                                   Simon Beck - The Snow Artist on the First Day of Winter | Canada Goose

Dear Students,
Due to the snow, I have decided to cancel the Quiz for Comparative Lit II and Seminar Novel on 25.02.2019. They will be held next week on 4.03.2019.
See you tomorrow.
best
gh

Knusper, knusper knäuschen, wer knuspert an meinem Häuschen? Der Wind, der Wind, das himmlische Kind. -Brüder Grimm (Hansel und Gretel)

                                     
illustration by Errol Le Cain, Thorn Rose

Happy Birthday to Wilhelm Grimm, One of the Brothers Grimm, along with his older brother Jacob Grimm, authors of the famous collection "Grimm's Fairy Tales", first published in 1812 with 86 stories. By the seventh edition in 1857, 211 stories were included. From the brothers' collecting of old folk tales has come the popularity of the such tales as "Sleeping Beauty", "Snow White and the Seven Dwarfs", "Rapunzel" and "Rumpelstiltskin".

Together with his brother Jacob, Wilhelm was the instigator of the mammoth "Deutsches Wörterbuch" the largest German dictionary ever complied. Begun in 1838, it was published in parts from 1852. Unfinished at their death it was finally completed by later scholars in 1961.

for more:
- Grimm's Fairy Tales audiobook by Jacob & Wilhelm Grimm (1785-1863; 1786-1859) Translated by Edgar Taylor(1793-1839) and Marian Edwardes: https://www.youtube.com/watch?v=jWM6rj6jLiw
- 30 dunkle Märchen der Brüder GrimmHörspiel, BUCH FUNK: https://www.youtube.com/watch?v=JL9d8L_p1l0
source: https://www.onthisday.com/people/wilhelm-grimm

22 Şubat 2019 Cuma

'Beware, O wanderer, the road is walking too.' -Jim Harrison

Sharing Poe's "Annabel Lee" with others. Spreading gothic love in public spheres. Many thanks to my students from my poetry class.
Yeliz Subaşı

Ezgi Gücer
                                     
Irem Bayraktar

Gülşah Aras

Ege Demirtaş

Hanife Kutlu

Beyza Gümüş

Melisa C

Yasemin Kurtuldu

Çiğdem Demirci


Homework FOR NEXT WEEK 25.02.- 1.03.2019

                                                       Farzaneh Radmehr, farzanehradmehr.com
ACL 352 Comp Lit II:                                                                                                                                1. “World Music, World Literature: A Geopolitical View,” Kate Trumpener, 2. “Of Monuments and Documents: Comparative Literature and the Visual Arts,” Christopher Braider, 3. “Situating World Cinema as a Theoretical Problem,” Stephanie Dennison and Song-Wee Lim 4. Fitzgerald's The Great Gatsby "chapter 3": https://www.planetebook.com/free-ebooks/the-great-gatsby.pdf


ACL 408 Seminar Novel:
1. “A Politics of the Heart” Andrea O’Reilly
2. Butler's Kindred until the end of "Fight" (p.12-188)

ACL 306 Poetry II: No Homework, No Reading= Relax

19 Şubat 2019 Salı

QUIZ ANNOUNCEMENT FOR ALL STUDENTS


                                              Jean-Luc Godard, Bande a part, 1964

ACL 362: Quiz 1: 25.02.2019 (pls be aware that you are responsible for the subjects that we have covered during the lectures)

ACL 408: Quiz 1: 25.02.2019 (pls be aware that you are responsible for the subjects that we have covered during the lectures)

ACL 306: Quiz 1: 27.02. 2019 (pls be aware that you are responsible for the subjects that we have covered during the lectures)

18 Şubat 2019 Pazartesi

ACL 408: Seminar Novel


What’s Happened to Feminism? Gail Finney

ACL 362: Copmarative Lit II


“Cultivating Mere Gardens? Comparative Francophonie’s, Postcolonial Studies, and Transnational Feminisms,” Francoise Lionnet

16 Şubat 2019 Cumartesi

'Intelligence is really a kind of taste. Taste in ideas.' Susan Sontag

                         
                                                          KnitCandela by Zaha Hadid Architects, http://www.zaha-hadid.com/design/knitcandela/

15 Şubat 2019 Cuma

ACL 306 Poetry II: Please Print out for the class on 21.02.2019





SONG OF MYSELF.

1
I CELEBRATE myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.

My tongue, every atom of my blood, form'd from this soil, this
air,
Born here of parents born here from parents the same, and their
parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.

Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.

2
Houses and rooms are full of perfumes, the shelves are crowded 
with perfumes,
I breathe the fragrance myself and know it and like it,
The distillation would intoxicate me also, but I shall not let it.

The atmosphere is not a perfume, it has no taste of the distillation,
it is odorless,
It is for my mouth forever, I am in love with it,
I will go to the bank by the wood and become undisguised and 
naked,
I am mad for it to be in contact with me.
The smoke of my own breath,
Echoes, ripples, buzz'd whispers, love-root, silk-thread, crotch and 
vine,
My respiration and inspiration, the beating of my heart, the pass-
ing of blood and air through my lungs,
The sniff of green leaves and dry leaves, and of the shore and 
dark-color'd sea-rocks, and of hay in the barn,
The sound of the belch'd words of my voice loos'd to the eddies 
of the wind,
A few light kisses, a few embraces, a reaching around of arms,
The play of shine and shade on the trees as the supple boughs 
wag,
The delight alone or in the rush of the streets, or along the fields 
and hill-sides,
The feeling of health, the full-noon trill, the song of me rising from 
bed and meeting the sun.

Have you reckon'd a thousand acres much? have you reckon'd 
the earth much?
Have you practis'd so long to learn to read?
Have you felt so proud to get at the meaning of poems?

Stop this day and night with me and you shall possess the origin 
of all poems,
You shall possess the good of the earth and sun, (there are millions 
of suns left,)
You shall no longer take things at second or third hand, nor look 
through the eyes of the dead, nor feed on the spectres in 
books,
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from your self.

3
I have heard what the talkers were talking, the talk of the begin-
ning and the end,
But I do not talk of the beginning or the end.

There was never any more inception than there is now,
Nor any more youth or age than there is now,
And will never be any more perfection than there is now,
Nor any more heaven or hell than there is now.

Urge and urge and urge,
Always the procreant urge of the world.
Out of the dimness opposite equals advance, always substance and 
increase, always sex,
Always a knit of identity, always distinction, always a breed of life.

To elaborate is no avail, learn'd and unlearn'd feel that it is so.

Sure as the most certain sure, plumb in the uprights, well entretied,
braced in the beams,
Stout as a horse, affectionate, haughty, electrical,
I and this mystery here we stand.

Clear and sweet is my soul, and clear and sweet is all that is not 
my soul.

Lack one lacks both, and the unseen is proved by the seen,
Till that becomes unseen and receives proof in its turn.

Showing the best and dividing it from the worst age vexes age,
Knowing the perfect fitness and equanimity of things, while they 
discuss I am silent, and go bathe and admire myself.

Welcome is every organ and attribute of me, and of any man 
hearty and clean,
Not an inch nor a particle of an inch is vile, and none shall be 
less familiar than the rest.

I am satisfied—I see, dance, laugh, sing;
As the hugging and loving bed-fellow sleeps at my side through 
the night, and withdraws at the peep of the day with 
stealthy tread,
Leaving me baskets cover'd with white towels swelling the house 
with their plenty,
Shall I postpone my acceptation and realization and scream at my 
eyes,
That they turn from gazing after and down the road,
And forthwith cipher and show me to a cent,
Exactly the value of one and exactly the value of two, and which 
is ahead?

4
Trippers and askers surround me,
People I meet, the effect upon me of my early life or the ward 
and city I live in, or the nation,
The latest dates, discoveries, inventions, societies, authors old and 
new,
My dinner, dress, associates, looks, compliments, dues,
The real or fancied indifference of some man or woman I love,
The sickness of one of my folks or of myself, or ill-doing or loss or 
lack of money, or depressions or exaltations,
Battles, the horrors of fratricidal war, the fever of doubtful news,
the fitful events;
These come to me days and nights and go from me again,
But they are not the Me myself.

Apart from the pulling and hauling stands what I am,
Stands amused, complacent, compassionating, idle, unitary,
Looks down, is erect, or bends an arm on an impalpable certain 
rest,
Looking with side-curved head curious what will come next,
Both in and out of the game and watching and wondering at it.

Backward I see in my own days where I sweated through fog with 
linguists and contenders,
I have no mockings or arguments, I witness and wait.


5

I believe in you my soul, the other I am must not abase itself to you,
And you must not be abased to the other.

Loafe with me on the grass, loose the stop from your throat,
Not words, not music or rhyme I want, not custom or lecture, not 
even the best,
Only the lull I like, the hum of your valvèd voice.

I mind how once we lay such a transparent summer morning,
How you settled your head athwart my hips and gently turn'd over 
upon me,
And parted the shirt from my bosom-bone, and plunged your 
tongue to my bare-stript heart,
And reach'd till you felt my beard, and reach'd till you held my 
feet.

Swiftly arose and spread around me the peace and knowledge that 
pass all the argument of the earth,
And I know that the hand of God is the promise of my own,
And I know that the spirit of God is the brother of my own,
And that all the men ever born are also my brothers, and the 
women my sisters and lovers,
And that a kelson of the creation is love,
And limitless are leaves stiff or drooping in the fields,
And brown ants in the little wells beneath them,
And mossy scabs of the worm fence, heap'd stones, elder, mullein 
and poke-weed.

6
A child said What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is any 
more than he.

I guess it must be the flag of my disposition, out of hopeful green 
stuff woven.

Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly dropt,
Bearing the owner's name someway in the corners, that we may 
see and remark, and say Whose?

Or I guess the grass is itself a child, the produced babe of the 
vegetation.

Or I guess it is a uniform hieroglyphic,
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I 
receive them the same.

And now it seems to me the beautiful uncut hair of graves.

Tenderly will I use you curling grass,
It may be you transpire from the breasts of young men,
It may be if I had known them I would have loved them,
It may be you are from old people, or from offspring taken soon 
out of their mothers' laps,
And here you are the mothers' laps.

This grass is very dark to be from the white heads of old mothers,
Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of mouths.

O I perceive after all so many uttering tongues,
And I perceive they do not come from the roofs of mouths for 
nothing.

I wish I could translate the hints about the dead young men and 
women,
And the hints about old men and mothers, and the offspring taken 
soon out of their laps.

What do you think has become of the young and old men?
And what do you think has become of the women and chil-
dren?

They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the 
end to arrest it,
And ceas'd the moment life appear'd.

All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier.

7
Has any one supposed it lucky to be born?
I hasten to inform him or her it is just as lucky to die, and I 
know it.

I pass death with the dying and birth with the new-wash'd babe,
and am not contain'd between my hat and boots,
And peruse manifold objects, no two alike and every one good,
The earth good and the stars good, and their adjuncts all good.

I am not an earth nor an adjunct of an earth,
I am the mate and companion of people, all just as immortal and 
fathomless as myself,
(They do not know how immortal, but I know.)

Every kind for itself and its own, for me mine male and female,
For me those that have been boys and that love women,
For me the man that is proud and feels how it stings to be 
slighted,
For me the sweet-heart and the old maid, for me mothers and the 
mothers of mothers,
For me lips that have smiled, eyes that have shed tears,
For me children and the begetters of children.

Undrape! you are not guilty to me, nor stale nor discarded,
I see through the broadcloth and gingham whether or no,
And am around, tenacious, acquisitive, tireless, and cannot be 
shaken away.

ACL 352: Comparative Lit II Homework for 18.02.2019

Dear Students,
Pls read 
1. Henry James's "The Turn of the Screw" p. 3-11:
https://www.ibiblio.org/ebooks/James/Turn_Screw.pdf
2. Kate Chopin's "The Awakening" part IV:
https://www.fulltextarchive.com/page/The-Awakening-and-Selected-Short-Stories1/
3. Lionett's "Cultivating Mere Gardens" p. 100 ( Comparative Lit in the Age of Globalization)

ACL 408: Seminar Novel Homework for 18.02.2019

Dear Students,
Please read:
1. Gail Finney's "What Happened to Feminism" p.114 (Comparative Lit in the Age of Globalization)
2. Finish reading Octavia Buter's "Kindred" until p.107 (we are going to focus on the "Fire" and the "Fall"

14 Şubat 2019 Perşembe

“Love is heavy and light, bright and dark, hot and cold, sick and healthy, asleep and awake- its everything except what it is! (Act 1, scene 1)” ― William Shakespeare, Romeo & Juliet

Romeo and Juliet Film poster by Fraser Gillespie

By William Shakespeare. ROMEO AND JULIET:
http://learningstorm.org/wp-content/uploads/2016/02/RMEOJLET-1.pdf
Romeo & Juliet: The Graphic Novel: https://www.midlandisd.net/cms/lib/TX01000898/Centricity/Domain/4833/Romeo%20and%20Juliet%20gn.pdf

9 Şubat 2019 Cumartesi

“In search of my mother's garden, I found my own.” ― Alice Walker

                          
                                                            Miles Davis - Bitches Brew (1970) - full album
Happy Birthday to Alice Walker who is a Pulitzer Prize-winning, African-American novelist and poet most famous for authoring 'The Color Purple.'
for more pls visit:
https://www.biography.com/people/alice-walker-9521939
https://www.youtube.com/watch?v=HzGrDgu08r8

7 Şubat 2019 Perşembe

"we return to each other in waves. this is how the water loves" - Nayyirah Waheed



                                     Huna - Hula Painting in Extreme Tides

In memory to the American author Kate Chopin (1850–1904) who wrote two published novels and about a hundred short stories in the 1890s. Most of her fiction is set in Louisiana and most of her best-known work focuses on the lives of sensitive, intelligent women.

for more please visit: https://www.katechopin.org/biography/

“There are books of which the backs and covers are by far the best parts.” ― Charles Dickens

Happy Birthday to the greatest novelist of the Victorian period. Here is why you should read Charles Dickens.

Charles Dickens is much loved for his great contribution to classic English literature. He was the quintessential Victorian author. His epic stories, vivid characters and exhaustive depiction of contemporary life are unforgettable.
His own story is one of rags to riches. He was born in Portsmouth on 7 February 1812, to John and Elizabeth Dickens. The good fortune of being sent to school at the age of nine was short-lived because his father, inspiration for the character of Mr Micawber in 'David Copperfield', was imprisoned for bad debt. The entire family, apart from Charles, were sent to Marshalsea along with their patriarch. Charles was sent to work in Warren's blacking factory and endured appalling conditions as well as loneliness and despair. After three years he was returned to school, but the experience was never forgotten and became fictionalised in two of his better-known novels 'David Copperfield' and 'Great Expectations'.
Like many others, he began his literary career as a journalist. His own father became a reporter and Charles began with the journals 'The Mirror of Parliament' and 'The True Sun'. Then in 1833 he became parliamentary journalist for The Morning Chronicle. With new contacts in the press he was able to publish a series of sketches under the pseudonym 'Boz'. In April 1836, he married Catherine Hogarth, daughter of George Hogarth who edited 'Sketches by Boz'. Within the same month came the publication of the highly successful 'Pickwick Papers', and from that point on there was no looking back for Dickens.
As well as a huge list of novels he published autobiography, edited weekly periodicals including 'Household Words' and 'All Year Round', wrote travel books and administered charitable organisations. He was also a theatre enthusiast, wrote plays and performed before Queen Victoria in 1851. His energy was inexhaustible and he spent much time abroad - for example lecturing against slavery in the United States and touring Italy with companions Augustus Egg and Wilkie Collins, a contemporary writer who inspired Dickens' final unfinished novel 'The Mystery of Edwin Drood'.
He was estranged from his wife in 1858 after the birth of their ten children, but maintained relations with his mistress, the actress Ellen Ternan. He died of a stroke in 1870. He is buried at Westminster Abbey.
source: http://www.bbc.co.uk/history/historic_figures/dickens_charles.shtml

ACL 306 Poetry: Please print out for 13.02.2019


“I felt that I breathed an atmosphere of sorrow.” 
― Edgar Allan Poe

                                                  Jordi Gual, www.jordigualphotography.com

Annabel Lee
BY EDGAR ALLAN POE
It was many and many a year ago,
   In a kingdom by the sea,
That a maiden there lived whom you may know
   By the name of Annabel Lee;
And this maiden she lived with no other thought
   Than to love and be loved by me.

I was a child and she was a child,
   In this kingdom by the sea,
But we loved with a love that was more than love—
   I and my Annabel Lee—
With a love that the wingèd seraphs of Heaven
   Coveted her and me.

And this was the reason that, long ago,
   In this kingdom by the sea,
A wind blew out of a cloud, chilling
   My beautiful Annabel Lee;
So that her highborn kinsmen came
   And bore her away from me,
To shut her up in a sepulchre
   In this kingdom by the sea.

The angels, not half so happy in Heaven,
   Went envying her and me—
Yes!—that was the reason (as all men know,
   In this kingdom by the sea)
That the wind came out of the cloud by night,
   Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love
   Of those who were older than we—
   Of many far wiser than we—
And neither the angels in Heaven above
   Nor the demons down under the sea
Can ever dissever my soul from the soul
   Of the beautiful Annabel Lee;

For the moon never beams, without bringing me dreams
   Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
   Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
   Of my darling—my darling—my life and my bride,
   In her sepulchre there by the sea—
   In her tomb by the sounding sea.

The Raven
BY EDGAR ALLAN POE
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
    While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
            Only this and nothing more.”

    Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
    Eagerly I wished the morrow;—vainly I had sought to borrow
    From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
            Nameless here for evermore.

    And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
    So that now, to still the beating of my heart, I stood repeating
    “’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
            This it is and nothing more.”

    Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
    But the fact is I was napping, and so gently you came rapping,
    And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
            Darkness there and nothing more.

    Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
    But the silence was unbroken, and the stillness gave no token,
    And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
            Merely this and nothing more.

    Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
    “Surely,” said I, “surely that is something at my window lattice;
      Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
            ’Tis the wind and nothing more!”

    Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
    Not the least obeisance made he; not a minute stopped or stayed he;
    But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
            Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
            Quoth the Raven “Nevermore.”

    Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
    For we cannot help agreeing that no living human being
    Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
            With such name as “Nevermore.”

    But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
    Nothing farther then he uttered—not a feather then he fluttered—
    Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
            Then the bird said “Nevermore.”

    Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
    Caught from some unhappy master whom unmerciful Disaster
    Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
            Of ‘Never—nevermore’.”

    But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
    Then, upon the velvet sinking, I betook myself to linking
    Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
            Meant in croaking “Nevermore.”

    This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
    This and more I sat divining, with my head at ease reclining
    On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
            She shall press, ah, nevermore!

    Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
    Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
    Desolate yet all undaunted, on this desert land enchanted—
    On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
    Tell this soul with sorrow laden if, within the distant Aidenn,
    It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
            Quoth the Raven “Nevermore.”

    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
    Leave no black plume as a token of that lie thy soul hath spoken!
    Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
            Quoth the Raven “Nevermore.”

    And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
    And his eyes have all the seeming of a demon’s that is dreaming,
    And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
            Shall be lifted—nevermore!

Eldorado
BY EDGAR ALLAN POE
Gaily bedight, 
   A gallant knight, 
In sunshine and in shadow,   
   Had journeyed long,   
   Singing a song, 
In search of Eldorado. 

   But he grew old— 
   This knight so bold—   
And o’er his heart a shadow—   
   Fell as he found 
   No spot of ground 
That looked like Eldorado. 

   And, as his strength   
   Failed him at length, 
He met a pilgrim shadow—   
   ‘Shadow,’ said he,   
   ‘Where can it be— 
This land of Eldorado?’ 

   ‘Over the Mountains 
   Of the Moon, 
Down the Valley of the Shadow,   
   Ride, boldly ride,’ 
   The shade replied,— 
‘If you seek for Eldorado!’ 

ACL 408: Seminar Novel Homework

Dear Students,
This week we are going to talk about the concept of the "Other" and "Otherness". Please read   Octavia Butler’s Kindred , p. 9-37 (Prologue, The River, The Fire: section 1-4).
you may also watch these videos as a context info for the novel:
https://www.biography.com/video/octavia-e-butler-changing-science-fiction-11167811951
















6 Şubat 2019 Çarşamba

ACL 352: Comparative Lit II Homework for 11.02.2019

Dear Students,


1. I want you to read only the part called:  I WILL BE CALLED A MURDERER, page 10:
http://bakumodernschool.az/kitablar/xariji-dilde-olan-edebiyyat/orxan-pamuk-menim-adim-qirmizi-eng.pdf
http://www.kitabxana.net/files/books/file/1331208008.pdf


2. Please read Edgar Allan Poe's The Tell Tale Heart :
https://americanenglish.state.gov/files/ae/resource_files/the_tell-tale_heart_0.pdf



3. Writing in Tongues: Thoughts on the Work of Translation,” Steven Ungar, page 127-139 (books of article is at the photocopy centre)
 

ACL 306: Ralph Waldo Emerson bio

ACL 306: Transcendentalism in American Literature

5 Şubat 2019 Salı

To my students in ACL 306

Dear Students,

I am still trying to figure out the system of the university web page. As promised, I announced your homework, however I was not able to attach the material to the message.
So here is the deal, pls scroll down the blog for the material or in this case just print out the poems from this link:
https://romeokissjuliet.blogspot.com/2019/01/acl-306-please-print-for-next-class.html
best
gh
 

4 Şubat 2019 Pazartesi

“Words are timeless. You should utter them or write them with a knowledge of their timelessness.” ― Khalil Gibran

ACL 352: Comparative Lit II

                                                Layla, Daughter of the Desert, Bahiga Hafez, 1937

Laila bint Lukaiz (Arabic: لَيْلَى بنت لُكَيْز‎ died 483), otherwise known as "Layla the Chaste" (Arabic: ليلى العفيفة), was a legendary Arabian woman poet. She wrote a romantic epic of the knight in shining armor rescues damsel-in-distress motif.

The Tale of al-Barraq Son of Rawhan is an anonymously-authored heroic epic and song cycle set in the fifth century, CE, about a knight-in-shining-armour who rescues his beloved Layla, a young Arab woman who has been kidnapped and threatened with forced marriage to a Persian king.  It seems to have emerged as a fictional narrative by the beginning of the 18th century and was misconstrued as history by scholars in the 19th century, who extracted the poems recited by Layla in the epic as some of the earliest examples of Arabic women's verse.  While the original tale of al-Barraq is now somewhat obscure, Layla's persona and her poems live on in various guises in popular Arabic culture.

IF ONLY AL-BARRAQ COULD SEE (ENGLISH)
Laila bint Lukaiz

If only al-Barrāq had an eye to see
the agony and distress I endure
My brothers, Kulayb, ˁUqayl
Junayd, help me weep
Woe upon you, your sister has been tortured
by disavowal morning and night
They fettered me, shackled me, and beat
my chaste [sensitive area] with a stick.
The Persian deceives whenever he approaches me
and I’m on my last breaths of life
Fetter me, shackle me, do
whatever agony you [all] will to me
For I abhor your infringement
and the certainty of death is something to desire
O men of stature, Banū Kahlān,
          do you lead us to the beast?
O Iyādīs, your hands are tied
          blindness confounds Burd’s[i] view
O Banū al-Aˁyāṣ, are you not cutting
         the cords of hope for the Banū ˁAdnān?
Be patient, stand good stead
every victory is hoped for after hardship
          Laylā’s palms have become shackled
like the shackling of great kings
          Collared and fettered in the open
asked to do base things
Say to the ˁAdnān, ‘You’ve been shown the way, tuck up
for retribution from the detested clan
Tie banners in their lands,
unsheathe your swords, and press on in the forenoon’
          O Banū Taghlib, press on until victory
leave off the inertia and slumber
           Beware: shame is at your heels, upon you
as long as you linger in lowliness.

for more pls check: https://martha-hammond-msds.squarespace.com/

other poems that we have covered at the last lecture are:

Kubla Khan
BY SAMUEL TAYLOR COLERIDGE
Or, a vision in a dream. A Fragment. 
In Xanadu did Kubla Khan 
A stately pleasure-dome decree: 
Where Alph, the sacred river, ran 
Through caverns measureless to man 
   Down to a sunless sea. 
So twice five miles of fertile ground 
With walls and towers were girdled round; 
And there were gardens bright with sinuous rills, 
Where blossomed many an incense-bearing tree; 
And here were forests ancient as the hills, 
Enfolding sunny spots of greenery. 

But oh! that deep romantic chasm which slanted 
Down the green hill athwart a cedarn cover! 
A savage place! as holy and enchanted 
As e’er beneath a waning moon was haunted 
By woman wailing for her demon-lover! 
And from this chasm, with ceaseless turmoil seething, 
As if this earth in fast thick pants were breathing, 
A mighty fountain momently was forced: 
Amid whose swift half-intermitted burst 
Huge fragments vaulted like rebounding hail, 
Or chaffy grain beneath the thresher’s flail: 
And mid these dancing rocks at once and ever 
It flung up momently the sacred river. 
Five miles meandering with a mazy motion 
Through wood and dale the sacred river ran, 
Then reached the caverns measureless to man, 
And sank in tumult to a lifeless ocean; 
And ’mid this tumult Kubla heard from far 
Ancestral voices prophesying war! 
   The shadow of the dome of pleasure 
   Floated midway on the waves; 
   Where was heard the mingled measure 
   From the fountain and the caves. 
It was a miracle of rare device, 
A sunny pleasure-dome with caves of ice! 
    A damsel with a dulcimer 
   In a vision once I saw: 
   It was an Abyssinian maid 
   And on her dulcimer she played, 
   Singing of Mount Abora. 
   Could I revive within me 
   Her symphony and song, 
   To such a deep delight ’twould win me, 
That with music loud and long, 
I would build that dome in air, 
That sunny dome! those caves of ice! 
And all who heard should see them there, 
And all should cry, Beware! Beware! 
His flashing eyes, his floating hair! 
Weave a circle round him thrice, 
And close your eyes with holy dread 
For he on honey-dew hath fed, 
And drunk the milk of Paradise.

Inspiration recorded while enjoying the ascent to SpringMountain
By Kubla Khan 
I ascended on Fragrant Hill in the friendly season of spring
Not discouraged I climbed to the peak and met the Golden Face
Flowers shone bright rays and auspicious colors gleamed like a rainbow
Incense smoke wafted like mist and a blessed light emanated
Raindrops were like bubbles on jade bamboos at the edge of the big rock
The blowing wind played a song among the green pines at the mountain pass
In front of the Buddha in the temple I conducted the incense ceremony
And on the way back I rode a Blue Dragon in the royal carriage.


Alastor; or, The Spirit of Solitude
   BY PERCY BYSSHE SHELLEY
 The Poet wandering on, through Arabie 
And Persia, and the wild Carmanian waste, 
And o'er the aërial mountains which pour down 
Indus and Oxus from their icy caves, 
In joy and exultation held his way; 
Till in the vale of Cashmire, far within 
Its loneliest dell, where odorous plants entwine 
Beneath the hollow rocks a natural bower, 
Beside a sparkling rivulet he stretched 
His languid limbs. A vision on his sleep 
There came, a dream of hopes that never yet 
Had flushed his cheek. He dreamed a veilèd maid 
Sate near him, talking in low solemn tones. 
Her voice was like the voice of his own soul 
Heard in the calm of thought; its music long, 
Like woven sounds of streams and breezes, held 
His inmost sense suspended in its web 
Of many-coloured woof and shifting hues. 
Knowledge and truth and virtue were her theme, 
And lofty hopes of divine liberty, 
Thoughts the most dear to him, and poesy, 
Herself a poet. Soon the solemn mood 
Of her pure mind kindled through all her frame 
A permeating fire: wild numbers then 
She raised, with voice stifled in tremulous sobs 
Subdued by its own pathos: her fair hands 
Were bare alone, sweeping from some strange harp 
Strange symphony, and in their branching veins 
The eloquent blood told an ineffable tale. 
The beating of her heart was heard to fill 
The pauses of her music, and her breath 
Tumultuously accorded with those fits 
Of intermitted song. Sudden she rose, 
As if her heart impatiently endured 
Its bursting burthen: at the sound he turned, 
And saw by the warm light of their own life 
Her glowing limbs beneath the sinuous veil 
Of woven wind, her outspread arms now bare, 
Her dark locks floating in the breath of night, 
Her beamy bending eyes, her parted lips 
Outstretched, and pale, and quivering eagerly. 
His strong heart sunk and sickened with excess 
Of love. He reared his shuddering limbs and quelled 
His gasping breath, and spread his arms to meet 
Her panting bosom:...she drew back a while, 
Then, yielding to the irresistible joy, 
With frantic gesture and short breathless cry 
Folded his frame in her dissolving arms. 
Now blackness veiled his dizzy eyes, and night 
Involved and swallowed up the vision; sleep, 
Like a dark flood suspended in its course 
Rolled back its impulse on his vacant brain. 

ACL 352: The Concept of Orientalism

ACL 408 Seminar: Novel Introduction

ACL 408 Seminar Novel: For Senior Presentations

2 Şubat 2019 Cumartesi

“Life is too short to read a bad book.” ― James Joyce


Happy Birthday to James Joyce who is considered to be one of the most influential writers in the modernist avant-garde of the early 20th century.
His greatest work, Ulysses was published in Paris in 1922 but on its release, sharply divided critics because of its innovative style. Thankfully, this only made the book more successful, although the controversy over the obscenity of some of the events lead to it being banned in several countries.
Every year the events of his best known novel, Ulysses, are recreated in their exact locations and lots of literary events are held around the country. Plenty of people walk around Dublin in period costume for the day too, which really brings the whole day to life… and often confuses the locals!

for more pls visit: https://www.claddaghdesign.com/ireland/bloomsday-whats-it-all-about/


1 Şubat 2019 Cuma

“Let the rain kiss you. Let the rain beat upon your head with silver liquid drops. Let the rain sing you a lullaby.” ― Langston Hughes

                           Shiota, THE CROSSING, 2018, represented by Anna Schwartz Gallery, photos by Wimberley 


As I Grew Older
by Langston Hughes

It was a long time ago.
I have almost forgotten my dream.
But it was there then,
In front of me,
Bright like a sun—
My dream.
And then the wall rose,
Rose slowly,
Slowly,
Between me and my dream.
Rose until it touched the sky—
The wall.
Shadow.
I am black.
I lie down in the shadow.
No longer the light of my dream before me,
Above me.
Only the thick wall.
Only the shadow.
My hands!
My dark hands!
Break through the wall!
Find my dream!
Help me to shatter this darkness,
To smash this night,
To break this shadow
Into a thousand lights of sun,
Into a thousand whirling dreams
Of sun!

Born today Langston Hughes (1.2.1902-1967) was an American poet, novelist, and playwright and whose African-American themes made him a primary contributor to the Harlem Renaissance of the 1920s.
for further details pls visit: https://www.biography.com/people/langston-hughes-9346313

"Peer at the pupil of a flame." - Hang Kang

  Winter through a Mirror           Hang Kang, translated by Sophie Bowman   1. Peer at the pupil of a flame. Bluish heart shaped eye the ho...